Clinic Feature:
Texas 2008-09
All State Audition Etudes
Featuring Sherry Rubins, Professor of Percussion, UT San Antonio

Each year, thousands of percussionists throughout Texas audition for placement in the All Region, Area and State Ensembles. Because of the worth of musical development that these selections have for high school percussionists, we’ve decided to create a special clinic covering the 4 etudes.

Even if you’re not from Texas, we hope that you’ll benefit from the musical experience by practicing these selections.


4 Mallet Keyboard Selection: Etude 1
From Contemporary Etudes for 3 and 4 Mallets, K. Ervin Pershing

Full Performance

General Practice & Performance Suggestions


Mallet Recommendations:
Robert Van Sice Signature M114
Medium. The most popular model in the series, this mallet covers the entire range of the marimba and produces a singing sound that is full of life.
Multi-Applications Series M183
Hard yarn marimba mallet with full tone and excellent clarity in the upper half of the instrument. Synthetic core; birch shafts.
L = 17”



2 Mallet Keyboard Selection: Etude 1
From 12 Etudes for 2 Mallet Marimba, L. Lawless

Full Performance

General Practice & Performance Suggestions


Mallet Recommendations:
Ney Rosauro Signature M223
Medium Hard. A versatile and general mallet that produces full and natural sound throughout the entire keyboard. With birch shafts. L=16 3/4"
Multi-Applications Series M183
Hard yarn marimba mallet with full tone and excellent clarity in the upper half of the instrument. Synthetic core; birch shafts.
L = 17”



Snare Drum Selection: Etude 1
From Advanced Snare Drum Studies, M. Peters

Full Performance

General Practice & Performance Suggestions

Phrase I Suggestions: Beginning - m.16

Phrase II Suggestions: m.17 - 33

Phrase III Suggestions: m.33 - 45

Phrase IV Suggestions: m.45 - end


Stick Recommendations:
Tim Genis Symphonic Snare Stick
Made from persimmon, which is known for its density, durability and high impact resistance, these sticks produce a full bodied and slightly darker sound than other wood. Tim's stick is designed to produce a dark, full-bodied sound. Great balance.
L = 16.81", Dia. = .650"
Ney Rosauro Signature Snare Sticks
A versatile, multi-purpose snare drum stick featuring an elongated tip with increased surface area for enhanced sound quality. A long taper provides excellent rebound, while a slight taper towards the butt enhances the balance. Excellent for concert playing as well as for drum set. In hickory.
L = 16.56"; Dia. = .600"



Timpani Selection: Etude 1
From Musical Etudes for the Advanced Timpanist

Full Performance

General Practice Suggestions: Tuning

General Practice Suggestions:
Setup, Sticking, Mallet Selection, Rhythm


Mallet Recommendations:
Tim Genis Signature Series
GEN7 - Articulate

Produces immediate attack at loud and soft dynamic levels. Wood core. L = 14 5/16" Head = 1 5/16"
American Custom® T3 Staccato
Medium hard for rhythmic articulation.
Head = 1 1/4", L = 14 1/2"



Click here to read “Preparing for an All-State Audition: An outline for success”


Mrs. Sherry D. Rubins directs the UTSA Percussion program. Mrs. Rubins recently and over four years has fulfilled the roles of either Principal Timpanist or Assistant Principal Timpanist/Percussionist with the San Antonio Symphony. Additionally, for the past 25 years Mrs. Rubins has performed as an extra musician with the San Antonio Symphony and she has been the principal percussionist/timpanist with the Mid-Texas Symphony since 1991.

Sherry has been Vice-President of the Texas Chapter of the Percussive Arts Society and on the faculty of the Interlochen Arts Camp, the Texas Music Festival at the University of Houston, the Stephen F. Austin University Percussion Symposium, Texas Lutheran University, and the University of Houston. Mrs. Rubins has presented clinics and concerts at the Percussive Arts Society International Convention, Texas Bandmasters Convention, Texas Music Educators Association Convention, and the Texas Day of Percussion. Mrs. Rubins is a busy freelance performer throughout the South Texas area.

Click here for more information about the UT San Antonio Percussion Department

Come back soon for clinics on the keyboard and snare etudes!

 

 


Robert Van Sice
Featuring an extensive video interview on a variety of musical and educational topics.
Eduardo Leandro
Watch Eduardo perform Alejandro Viñao's Khan Variations from PASIC 2005
Joseph Schwantner
Exclusive video series with one of the foremost composers of the late 20th and early 21st century.
Ji Hye Jung
Performance clips from an exciting new talent and winner of the 2006 Linz marimba competition.
Stuart Marrs
Excerpts "Stuart Marrs on Elliott Carter Eight Pieces for Four Timpani: Performance and Analysis."
Vic Firth
Vic reminisces on his 50 year career with the BSO and the history of his company.
Tom Gauger
A video lesson series on the concert bass drum from one of the most respected experts in the field.
Gary Burton
Watch Gary play the vibes and talk about what he looks for in a set of mallets.
Ted Atkatz
Ted talks about his background and winning the audition at the Chicago Symphony at a young age.
Michael Varner
Professor Michael Varner performs two pieces for solo marimba.
Giff Howarth
A lesson series for the beginning four mallet student from Giff's book "Simply Four."