facebook2 instagram twitter2 video web youtube search close
Back
“Fractalia” by Owen Clayton Condon

PERFORMANCE SPOTLIGHT:

“Fractalia” by Owen Clayton Condon

Performed by Third Coast Percussion

 

Mallet Selection for this Piece:

M31

Terry Gibbs Signature M31

Buy Now

This line offers a rattan handled mallet for every dynamic range on vibraphone or marimba. Cord wound heads.

ABOUT THE PIECE:

Third Coast Percussion member Owen Clayton Condon writes music influenced by minimalism, electronica and taiko drumming. His newest piece, Fractalia, written for Third Coast Percussion in 2011, is a sonic celebration of fractals, geometric shapes whose parts are each a reduced-size copy of the whole (derived from the Latin fractus, meaning “broken”).

The kaleidoscopic fractured melodies within Fractalia are created by passing a repeated figure through four players in different registers of the marimba. Condon’s acoustic and electronic works, including Fractalia, have been featured as the soundtrack to video and light installations at Frank Lloyd Wright’s “Fallingwater” and Anish Kapoor’s “Cloud Gate,” the famous sculpture (affectionately referred to as “The Bean”) in Chicago’s Millennium Park.

ABOUT THE COMPOSER:

Owen Clayton Condon made his solo debut in 1996 with the Louisville Symphony Orchestra after winning the orchestra’s Young Artist Competition. In 2000, he won the New England Conservatory’s Concerto Competition, and performed with the Conservatory’s Symphony Orchestra in Jordan Hall.

Mr. Condon performs with the Millennium Chamber Players, and has performed with the Chicago Civic Orchestra; the University of Chicago’s Contempo series; and has appeared as a guest artist with the Eighth Blackbird contemporary music group. Recently, he performed on behalf of Northwestern University at the Kennedy Center in Washington D.C. He studied with Frank Epstein and Will Hudgins at the New England Conservatory.

He is completing his doctoral studies in music at Northwestern University, where he has studied with Michael Burritt and James Ross. He is currently the Director of Percussion Studies at Northeastern Illinois University.

ABOUT THE PERFORMERS:

Praised by Time Out Chicago for “chops, polish, and youthful joy in performing,” Third Coast Percussion uses an impressive array of percussion instruments to create a performance experience like no other. With exceptional talent and dedicated artistry, this “sonically spectacular” (Chicago Tribune) quartet combines the driving intensity of drums, the beautiful warmth of marimbas and vibraphones, and the surprisingly exotic sounds of everyday objects to make music that is playful, memorable and profound. In performances around the country, the Chicago-based ensemble has swiftly gained national attention for effortlessly combining the energy of a rock concert with the precision and sophistication of classical chamber music.

Third Coast Percussion presents concerts for all audiences, from the percussion novice to the contemporary music aficionado. Third Coast has introduced percussion music to chamber music series in Chicago (Rush Hour Concerts, Millennium Park, Chicago Cultural Center), Virginia (Garth Newel Music Center), Pennsylvania (Dickinson College), and Wisconsin (Taliesin), securing immediate invitations to return to each of these series. TCP has also championed some of the most formidable repertoire for percussion including the music of Luciano Berio, Philippe Manoury, Wolfgang Rihm, Louis Andriessen, Martin Bresnick, George Crumb, Arvo Pärt, Steve Reich, Frederick Rzewski, Toru Takemitsu, Tan Dun, and Iannis Xenakis. The ensemble is constantly adding new works to this already expansive repertoire.

Third Coast Percussion also has the distinction of being the only professional percussion ensemble in the country to self-present a full season of concert percussion music. In their hometown of Chicago, the group performs 4 to 5 concerts each season. The ensemble is dedicated to performing the greatest concert percussion music alongside lesser-known and rarely performed master pieces.

Highlights of the upcoming 2011-12 season include a major focus on the percussion music of John Cage in celebration of his centenary in 2012, and an exploration of the relationship between percussion and architecture through a new commissioned piece from ensemble member David Skidmore, in commemoration of Frank Lloyd Wright’s Taliesin. Third Coast is also active in developing new works. Future premieres include commissioned works by Glenn Kotche and Augusta Read Thomas.

The members of Third Coast Percussion—Owen Clayton Condon, Robert Dillon, Peter Martin, and David Skidmore—hold degrees in music performance from Northwestern University, the Yale School of Music, the New England Conservatory, and Rutgers University.